All Notebook Entries
- Posted by Brenda Norrell - August 23, 2016 at 12:12 pm
- Posted by Bill Conroy - August 21, 2016 at 5:44 pm
Post-Manafort, questions about the presidential candidate's Kremlin ties remain
Paul Manafort recently stepped down as campaign chairman for Republican presidential candidate Donald Trump. His departure came amid a swirl of media attention on his lobbying activities in support of former Ukrainian President Viktor Yanukovych — a Kremlin-backed strongman who was run out of office and fled to Russia in 2014 following civil protests.
- Posted by Brenda Norrell - August 18, 2016 at 1:09 am
Red Warrior Camp refutes accusations of Sheriff Department at Dakota Access Pipeline defense
- Posted by Brenda Norrell - August 16, 2016 at 11:17 pm
- Posted by Brenda Norrell - August 15, 2016 at 5:55 pm
- Posted by Brenda Norrell - August 15, 2016 at 2:18 pm
Article by Brenda Norrell
Top photo Guy Dull Knife courtesy Natalie Hand
Scatter Thier Own photo by Julianna BrownEyes Clifford
Monday, Aug. 15, 2016
- Posted by Brenda Norrell - August 14, 2016 at 7:18 pm
- Posted by Brenda Norrell - August 12, 2016 at 5:50 pm
Standing Rock Chairman arrested at blockade. Burial places found near the pipeline crew. Oglala are sending 300 Lakotas from Pine Ridge to join the blockade and halt the pipeline.
- Posted by Brenda Norrell - August 10, 2016 at 1:49 pm
- Posted by Brenda Norrell - August 8, 2016 at 11:39 pm
- Posted by Brenda Norrell - August 5, 2016 at 10:18 pm
- Posted by Bill Conroy - July 17, 2016 at 6:55 pm
The litigation, which has received scant media coverage, contends Trump is complicit in violence perpetrated by hate groups
- Posted by Brenda Norrell - July 5, 2016 at 11:47 am
By Brenda Norrell
- Posted by Brenda Norrell - June 13, 2016 at 11:52 am
While corporate criminals rely on the collapsed media, the Mormon Church attempts a cover-up of the sexual abuse of Navajo children, and the US continues to target Indian country as its toxic, radioactive and lethal dumping ground
- Posted by Bill Conroy - June 12, 2016 at 6:00 pm
Presidential Candidate’s Special Interest Appears to Be His Own Pocketbook, Public Records Show
Republican presidential contender Donald Trump paints himself as a people’s candidate who is a Washington outsider and a successful businessman beyond the reach of lobbyists and special interests. But he now has lobbyists advising his presidential campaign.
- Posted by Brenda Norrell - May 18, 2016 at 11:51 am
While Indigenous Peoples are assassinated defending their homelands around the world, the media in the U.S. has collapsed in its easy chairs. Native Americans, however, have accelerated efforts to defend the land, rivers and sacred places.
Licensing Scheme for Medical Marijuana Market May Be a Boon for the Black Market in Washington StatePosted by Bill Conroy - May 15, 2016 at 5:30 pm
Critics contend current cap on new cannabis stores is too low and could force many patients to turn to back-alley providers
The state of Washington’s medical-marijuana industry has been in disarray since the passage of legislation last spring that calls for pushing businesses in that now-unregulated “grey market” into the state’s regulated recreational-cannabis market.
- Posted by Bill Conroy - March 27, 2016 at 8:43 pm
The Washington CannaBusiness Association, Headed by a Former Microsoft Executive, Is Playing a Major Role in Shaping the Emerging Legal-Marijuana Landscape
- Posted by Brenda Norrell - January 25, 2016 at 12:24 pm
Penn Envy: Fear of Citizen Journalism Defined Commercial Media’s Hostile Response to the Interview of the DecadePosted by Bill Conroy - January 18, 2016 at 10:04 pm
Sean Penn & Kate del Castillo Scooped the Press and Embarrassed the US & Mexican Governments in Interview with Chapo Guzmán
Oscar winner Sean Penn and Mexican film and TV star Kate del Castillo recently played staring roles as citizen journalists and scooped the world’s major media outlets by scoring a sit-down interview with a notorious Mexican narco-trafficker: Joaquín Archivaldo Guzmán Loera (aka Chapo Guzmán).
- Posted by Brenda Norrell - December 11, 2015 at 2:11 pm
- Posted by Brenda Norrell - December 7, 2015 at 12:14 am
Indigenous Peoples from the Americas in Paris -- from the Arctic to the Amazon -- sent dramatic messages to world leaders at COP21
- Posted by Brenda Norrell - November 29, 2015 at 3:03 pm
Indigenous and women's delegations arrive in Paris for COP21, with solutions, prepared for their Rights of Nature Tribunal
- Posted by Brenda Norrell - November 23, 2015 at 12:22 pm
The American Indian Movement's annual west coast conference reveals atrocities of California Indian missions, urges clemency for Leonard Peltier and honors Darrell Standing Elk
- Posted by Brenda Norrell - November 21, 2015 at 2:20 pm
American Indian Movement's annual conference live now from San Francisco
- Posted by Brenda Norrell - November 6, 2015 at 1:50 pm
Native Americans Surge: Oak Flat Lives as Keystone XL Dies
- Posted by Iván Ulchur-Rota - October 28, 2015 at 6:21 pm
A Social Network that Returns 90 Percent of Advertising Dollars to the People: Send Me an Invitation, Please!
By Ivan Ulchur-Rota
Translated from GKillCity Magazine
At this point, it’s hard to imagine. Mark Zuckerberg’s giant has rapidly established itself as the social network bigwig. Facebook has bought its competitors like Instagram and by incorporating chat and video messaging has distinguished itself from platforms like Twitter or Linkedin. The network has constructed an empire through advertisements that accompany the content generated by its users. That’s why it’s censorship of every link to the fast-growing social network Tsu.co—that returns 90 percent of all ad revenue to its users—reveals what could become the giant’s Achiilles’ Heel: the redistribution of profit based on content.
Ivan Ulchur-Rota met Sebastian Sobczak, CEO of Tsu, at the Narco News 15th Anniversary Celebration earlier this month in New York City. Photo DR 2015 by Al Giordano.
When Al Giordano—founder and publisher of Narco News and the School of Authentic Journalism in Mexico—moved to Tsu, he had already been frustrated with Facebook since December 2012. Giordano and the authentic journalism team had utilized the network as an outreach platform and built a community of more than 25,000 members to promote their journalism and school. Then, three years ago, Facebook imposed an “algorithm” to put 95 percent of that community out of reach unless the nonprofit media bought ads to promote the links to its stories there. “The Facebook user quickly got tired of all the ads, so they stopped clicking.” Another social network, Ello, launched as an alternative that did not sell users’ information, but was unable to prosper now that the whole world, it seemed, was addicted to Facebook.
For Giordano the critical point was the realization that on Tsu nine out of ten dollars generated by advertisements would return to its users. “Facebook had pulled a ‘bait and switch’ on us, using our texts, voices and images to sell ads and kept all the value for itself. If someone had told us in 2007 that we could publish our work their website, recruit our friends and readers to use it, that they’d get money from ads and profit from it, and then we’d have to pay to reach the people we organized to come there, I would have told them to go to hell. But that’s how Facebook tricked everybody.”
Tsu is not playing Zuckerberg’s game. Instead, it has turned the rules upside down. By elevating the user as the main generator of profit, Tsu reinvents both social networking practices and our overall understanding of this type of technology. “When people realize that their content can generate money they generally behave better and the quality of their work improves,” he explains not without recognizing that this can also mean more work to purge the experience from money-seeking parasites and trolls whom the idea might attract as well. But the project is a radical departure from an established and accepted paradigm. This explains Facebook’s pre-emptive censorship of Tsu imposed this past month. Not only does Facebook now ban any link to Tsu, but it erased all previous links from its site, including in private messages between its members. When a user types the address of Tsu – dot – co into Facebook he receives an alarmist message that the link is a “security risk.” Perhaps it is for the social network that seeks monopoly status over the global Internet.
This is the censorship message Facebook imposes through a pop-up box now whenever a user seeks to post a link to a story on Tsu or when its upstart competitor is mentioned in private in Facebook messenger chat. It claims that Tsu is an “unsafe” website even after Apple and Google declared the Tsu app – downloaded recently by more than one million people – as safe.
The effort to disenfranchise Tsu reveals that its potential has been recognized. Giordano says it’s enormous. He explains what is happening in the context of the Rogers Curve, which in 1962 was developed by sociologist Everett Rogers to measure the rate of adoption of new technologies. “First come the innovators, who are about one or two percent of the general public, and they greatly influence the development of the new project.” They are followed by another 14 percent of “early adopters” that impact the direction of the innovation even more.
Tsu.co is at the stage of early adopters according to Giordano, who actively participated in the design of Tsu’s new group features and their monetization. The early adopters determine the experience for the “early majority”, the “late majority” and, finally, the “laggards.” According to the Rogers Curve, the arrival of an “early majority” is often very sudden. That’s what happened in 2007 when MySpace was virtually abandoned overnight and everybody woke up on Facebook. In the last six months, Tsu registered over three-and-a-half million users, now growing faster than any other network. When a million people downloaded the Tsu cell phone app in August and September, Facebook lashed out and censored any link to the start-up.
Early adopters therefore face a challenge: To prioritize the importance of quality of content. Much of the work of most active members has been to “weed their garden” from unwanted trolls that seek to make money by uploading trash o leaving meaningless, automatic comments. This consorted effort has resulted in a community seriously committed to generate value through what they share. “There are members who have collected more followers on Tsu than I have but that still don’t earn significant money. They’re not telling stories or putting on a show that keeps those followers coming back every day,” explains Giordano, who’s earned almost $1,500 since May and donated all of it to the Fund of Authentic Journalism and other charities on Tsu.
One very evident difference from Facebook is the way groups are managed. Moderators – who are rank-and-file users of Tsu, are very present in curating comments. Very often, posts within a group need a moderator’s approval to be published. Most groups associated with authentic journalism actively post guidelines on how to make the most of the community and keep it free from trolls. Likewise, because content is monetized, copyright laws are taken very seriously. It’s for example forbidden to post images, text or even lyrics without the author’s explicit permission. In that, Tsu seems to be created for creators.
This last point was critical for Giordano. As a musician who has spent his life surrounded by artists, this matter makes him particularly passionate: since MySpace offered itself as online music gallery, the amount of musicians who do not receive any compensation for their work has incremented significantly. According to a report by alphr, for most of the main digital music distributors the returns for small artists is minuscule. For every 500 000 track plays, payments vary between in three and four dollars. “A return of barely .008 cents for each time a track is played.“ While Spotify’s CEO Daniel Ek argues that no one has done for artists what Spotify has done, for Radiohead vocalist Tom York, Spotify prevents emerging artists from making a living with their craft.
The Internet has created a culture of theft of the arts. Even though it’s easier to distribute and access music, this has only benefitted consumers and the very same distribution platforms. Until the arrival of Tsu, content monetization has been limited to exorbitant audiences like with Youtube, which pays well only when someone’s viewership reaches the millions. According to research by journalist David McCandless in 2010 and 2015, for an artist to gain the equivalent of the US minimum wage on Youtube ($1,260 dollars) their work had to reach at least four million two hundred thousand views. For Giordano, Tsu marks return to the times of “the agent” who once guaranteed outreach and venues for artists, writers and musicians and received 10 percent of the proceeds.
Tsu also rewards users for recruiting and organizing communities to join the network, putting a percentage of the value each user generate into the income stream of the user who invited him or her. The service is free to join and never asks for money from its users. Once a user has generated $100 dollars in value, he and she can redeem it and Tsu sends them a check. Meanwhile, they can donate smaller amounts they’ve earned to any of the 45 certified charities already on Tsu, one of which is The Fund for Authentic Journalism.
Tsu’s close affiliation to charity organizations sets it apart from any other social media. From the revenue generated in each group page on Tsu, for example, five percent is allocated to an organization chosen by the creator of the group. Al Giordano’s chosen charity is The Fund for Authentic Journalism, which every year gathers journalists, artists and social organizers to learn how to practice journalism for the public good. In that respect, Tsu’s community focus coincides with the Fund’s mission. Now, over 25 group pages on Tsu (groups where fans of Star Wars, NFL and fantasy football, community organizing and other themes gather each declare a nonprofit as beneficiary of five percent of the ad revenues its activity generates) have chosen it as their charity. “Call it a socialist social network”, says Giordano half-jokingly. But if Tsu can indeed make it possible for artists, journalists and nonprofits to live from what they produce, it would be revolutionary.
Accounts on Tsu are still invite-only. You can use any of the following links as your invitation code:
This story originally appeared in Spanish on GKillCity, an online magazine based in Guayaquil, Ecuador.