Stimulus Art: What Obama Can Use from Roosevelt's WPA

By Al Giordano

"Is this socialism? Is America moving away from capitalism?"

-       Sean Hannity, Fox News, January 28, 2009

 

"His stimulus plan... it's designed to repair the power losses from the nineties forward of the Democrat Party and to entrench this party for, quote, unquote, eternal power like Franklin Delano Roosevelt did with his New Deal."

-       Rush Limbaugh, January 28, 2008

The wingnuttery is at high volume today and color me pink, I'm in Schadenfraude City: the likes of Limbaugh and Hannity are crying because they accurately beheld what occurred today - even as some of their progressive counterparts don't seem to get it - with the US House's passage of the $819 billion dollar Stimulus Bill.

They note, accurately, that much of what the Stimulus package has labeled as "tax cuts" means, in fact, that checks will soon go out to so many millions of Americans - including many too poor to have owed taxes.

They're apoplectic that two thirds of the money goes to 50 state governments to balance their budgets, to weatherize and repair dilapidated schools, highways, launch green energy projects and other infrastructure fixes, creating a new generation of jobs for people that want to work.

They don't like that the Stimulus will fund public education, protect unemployment insurance and Medicaid, and supply food stamps to those in need.

They rail "that's not a stimulus," but they're wrong. It almost doesn't matter how the money is spent, but that it is and that it begins circulating from hand to hand. (To wit: their favorite example of "pork" of the day - money for prevention of sexually transmitted disease - serves as an excellent stimulus as it is a labor-intensive job to send out organizers and educators to do it). Their other complaint du jour was most interesting to me: the Stimulus Bill's inclusion of $50 million dollars to the National Endowment of the Arts (NEA).

Obama hasn't yet nominated the next NEA chief. The agency's budget for fiscal year 2008 was $144 million dollars, so the extra $50 million would be a major shot in the arm. And it gives the new director, if someone with vision, a golden opportunity to unleash an army of artists and other creative Americans to be the public eyes and ears and the grassroots propaganda arm of this effort to restart the economy.

To get the United States out of the Great Depression, President Franklin Roosevelt launched various stimulus programs to get people to back to work, most importantly, from 1935 to 1943, the Works Progress Administration (WPA). As part of the WPA, the Federal Arts Project (FAP) created work for 5,000 of America's best artists who painted murals and posters, sculpted and created more than 225,000 works of art, mainly in state and local government buildings. (Contrast that 225,000 number over eight years with the just 119,000 grants by the NEA over 38 years, and you can get an idea of the scope.)

For example, in The Bronx, five high schools, a junior high, a post office and a public library were emblazoned with fresco murals, oil on canvass panels, mosaics, and a limestone relief with work by nine artists funded by the WPA and related programs. In Harlem, artist Vertis Hayes' eight-panel mural recounts African-American history from an African village to urban America. Similar works occurred all over the country, portraying the work and struggles of the people who live in those places, too, in town and city halls, in schools and public buildings, together with the mass production of propaganda posters made by FAP and WPA artists. Theater troupes funded by the federal government provided entertainment and narrative for the economic struggles of everyday people (as recounted in the movie, The Cradle Will Rock).

You turn on the TV and hear the business reports about "consumer confidence," which is, as the wording suggests, a largely psychological factor that affects every other aspect of the economy (and is affected by it): basically, it determines whether many people spend or hoard their money. The FAP was brilliant for at least two reasons: One, for every artist brought off unemployment a job was created (and for every artist that left an assembly line or an office gig to do his and her work, a job was opened for somebody that wanted it more than we slacker artists with bad attitudes do). Two, the murals and posters and works of theater and music and other creativity deployed by the FAP and related programs served not only to raise "consumer confidence," but also to educate and organize the public, to provide a new and better narrative to the history people were living in that time, to forge a new public consensus behind the New Deal that lasted two generations in America and with it an evolutionary leap in progress on so many fronts.

Today, artists aren't only mural painters or poster makers or members of theater troupes. They're also viral video creators on the Internet, and deploy other technologies to create new narratives. The grassroots creativity unleashed during Obama's campaign - as embodied by the red-and-blue Shepard Fairey "HOPE" poster, the YouTube "1984" ad, and so many other works - can be similarly wielded by the NEA and other agencies - with relatively modest grants to creators - to inspire public knowledge and pride in the many projects being funded by the Stimulus.

For example, when schools from the "corridor of shame" in South Carolina to the barrios of Los Angeles that haven't been repaired or remodeled since the 1800s get fixed by those put to work by the Stimulus, the NEA and other agencies ought to hire artists to go in and paint that history on their repaired walls that tell the stories of the workers, the children and other people who live in those places in this unique moment of history.

I've heard nothing about what plans the new administration may have for the NEA (which has, sadly, focused more on the effete side of the arts and with funding "institutions" since its founding in 1966), but I'd be surprised if President Obama doesn't have a very different role in mind for deploying artists as part of the Stimulus, based on how he deployed their creativity during the campaign. (Ask not, NEA, what your Stimulus can do for you, but what you can do for your Stimulus!)

But one thing is for sure: the vast increase in the NEA's budget that is in this Stimulus Bill, if it survives the Senate and the joint conference of both houses (and I think it will), has just widened the talent pool of those that may be interested in heading the arts agency.

The right director, with this kind of WPA-style vision for the agency, will have it in her or his power to deploy those funds in ways that make this moment, ahem, revolutionary, but under the cover of clandestinity that the arts have provided progress in every culture since the dawn of history, and, at special moments, like during the presidency of FDR, have moved society and culture together in a great leap forward.

 

Comments

Bring it on...

Bring on the WPA style projects that is. Reading this is just what I need to keep on keeping on. Gracias otra vez, Al.  Estamos vistando el sitio and leyendo cada post, sin faltar ni una. :-)

 

Si somos americanos, seremos buenos vecinos;
compartiremos el trigo,seremos buenos hermanos --
canción de Rolando Alarcón

Todos somos americanos.-- Barack Obama

Job stimulus from funding the arts

The Republicans who believe that arts funding doesn't create jobs must not know anyone who owns a restaurant or shop that's located near a theater, gallery or music venue.

The arts create tourism, usually a big job maker. Many towns and even states rely on tourism as their number one income generator. Two small cities near me have helped to fund small live theaters for just that purpose. It isn't just the theater that beneits, it's the entire area.

Economic Impact of the Arts

According to the study Arts & Economic Prosperity III: The Economic Impact of Nonprofit Arts and Culture Organizations and Their Audiences by Americans for the Arts, as of 2005, the economic impact of the NON-PROFIT arts community on the economy:

Nationally, the nonprofit arts and culture industry generates $166.2 billion in economic activity every year—$63.1 billion in spending by organizations and an additional $103.1 billion in event-related spending by their audiences. The $166.2 billion in total economic activity has a significant national impact, generating the following:

  • 5.7 million full-time equivalent jobs
  • $104.2 billion in household income
  • $7.9 billion in local government tax revenues
  • $9.1 billion in state government tax revenues
  • $12.6 billion in federal income tax revenues

Let me emphasize again that this is only looking at the non-profit arts and culture economy and excludes the motion picture industry, Broadway and all other such for-profit arts and entertainment product.

Crossposted to DKos

Here.

Synchronicity...

for me.  Just started reading "Furious Improvisation: How the WPA and a Cast of Thousands Made High Art out of Desperate Times,"by Susan Quinn.

Having watched the NEA get decimated over the last 20 years, I greet this as good news, if it passes.

Give us bread, but give us roses.

Just sayin'

... that the explosion of creativity supporting Obama during the campaign did not come from the campaign -- people just up and did it.  The ubiquity of tools like YouTube and Photoshop made it easy.

 

And dont forget the Federal Writers' Project

which was also part of the WPA. Perhaps its time for a Federal Bloggers Project!

Sign me up

For the FBP!

Obama is smart enough to know . . .

He who tells the stories rules the world. -- Plato

Obama knows what art does to kids in school and how it boosts their problem solving ability, and how music study has proven to raise IQs by 3 to 30 pts. Because. He said it at the first rally I went to in a smallish school gym about six weeks after he announced his candidacy. He said you can't just give kids math and science. You need to feed their souls. He talked about the effect it had on his two daughters.

The task of the artist now

Jayne Lyn Stahl wrote in her eulogy to Harold Pinter, who died around Xmas or New Years: In the end, there isn't a hell of a lot more to say except thanks for stopping by, Harold Pinter, and, in the words of Samuel Beckett, for working "to find a form that accommodates the mess" as "that is the task of the artist now."

For The Philistines Who Hate Art

Those people need to remember too, that supporting the arts has a manufacturing and technical component as well. From the makers of canvas, materials for props, to the lighting technicians with their electronic equipment, several industries exist to supply the arts.

The arts also include music, and musicians. They need props.and technicians, too.

There are cities like New York where the arts are one of the major attractions for tourists.

FAP for freedom!

Stimulus I can believe in.

One of my favorite quotes

Our truest responsibility to the irrationality of the world is to paint, or sing, or write, for only in such response do we find the truth.

- Madeleine L'Engle

Drive to create a Secretary of the Arts position

Quincy Jones has said he wants to ask B.O. to create a Secretary of the Arts...which of course is not as important as providing cash to creative individuals but which would be an important symbolic statement about the importance of the arts.

Here's the petition:

http://www.petitiononline.com/esnyc/petition.html

I went to two of the schools

I went to two of the schools in the Bronx that Al mentions. The library murals were a constant source of wonder every time I entered either chamber. I might add that most, if not all, of the schools with the murals, were built as WPA projects, with the murals just one aspect.

This is great news.

Thanks for this post Al.  As usual you see the bigger picture (or painting) and have the heart of an artist.  This made my day...one more step toward healing this mess.  Art is so important in our society, and often the first to be left behind. Art is evidence of our history, and often documents the most crucial stories and feelings of a particular time. It is also a powerful tool for change, that is why many are skeptical, and miss the beauty and purpose of it.

Thank God you're posting

Thank God you're posting right now, Al.  We're all frightened of events falling into the same old narratives (which will at times inevitably happen in the coming months) but helping us to see some of the thinking (hopefully!) behind President Obama's strategy is uplifting.  It is facinating and frightening to think that the severity of the problems we face will in fact give the President the opportunity to make the changes that will resonate for decades.

Meanwhile, the Republicans continue to s*ck donkey b*lls.  Oooh, tax cuts!  What a vision!  And so transparently craven.  Perhaps they can revive America's sagging spats industry next.

Silly question to ask?

How long is a generation?  I know they use to be 20 years or more, but it seems change occurs much quicker and a generation can be as short as 10 years now.  When someone refers to the word generation, how many years are they referring too?

Can you all provide my your two cents and the logic behind your answers?

Thanks

 

 

Secretary of the Arts

Jack Lang, a former Minister of Culture for France said, "Economie et culture; meme combat." Economy and culture; it's the same fight.

Please sign to the petition to help create a Secretary of the Arts...

http://www.petitiononline.com/esnyc/petition.html

Generations

Steffany - Here's one description from Wikipedia:

A familial generation is defined as the average time between a mother's first offspring and her daughter's first offspring. This makes a generation around 25 years in length give or take a few years. Cultural generations are significantly shorter, as noted below. Many experts now believe, partly because of the acceleration of culture, that cultural generations are approximately 10-15 years long. This trend of shorter generations is increasing, so that it is most relevant for recent generations.[1] 

What I was referring to was Roosevelt's New Deal beginning in 1933 and basically being the dominant paradigm in US politics through the 1980 election of Reagan (i.e. 47 years). Had the Democratic Party not intervened so bloodily in Vietnam, that might still be the paradigm today, but that tore the social fabric apart in ways that provided an opening for the hyper-right to take over. And the Reagan "government of, by, and for the rich" paradigm has basically lasted until now, another 28 years.

I do believe that historians will look back at yesterday's Stimulus vote as the official end of the Reagan era, or at least the beginning of the end.

tktk

A Great Day!

Thanks Al for your post.  As a former dancer and teacher of the performing arts, I am pirouetting for joy that you are making the case for supporting the National Endowment of the Arts.

This is also a wonderful day for people who love equality.  I watched the President sign Lily Ledbetter Equal Pay for Equal Work into law and thought of all the women, like my mother, who worked so hard for this.

I am also enjoying watching the swirling action around the stimulus package.  Anybody else think the President wasn't referring to the school snow day when he talked about bringing "flinty Chicago toughness to Washington"?

So, fist jabs all around and now I'm hitting the phones again to my two "moderate" Republican Senators.

 

 

Generations

Thanks Al, the wiki info was exactly what I needed to help in my understanding of the term.  Much clearer now.

Off topic: Limbaugh invokes Alinsky

I tune into Rush Limbaugh from time to time, and today I was suprised to hear him name-check not only Saul Alinsky, but also "Rules for Radicals." Apparently, Limbaugh has been talking about Alinsky for the last week. Limbaugh claims that he has been targeted by the President according to Alinsky's 13th rule: "Pick the target, freeze it, personalize it, and polarize it."

Is this yet another attempt to stigmatize Alinsky and community organizing a la the GOP convention speech that Matthew Scully wrote for Sarah Palin? As for Limbaugh decrying the tactics of personalization and polarization...

Forgive me this digression, but I couldn't resist, given the role that the topic of Saul Alinsky has played in the history of this blog.

Poetry and Music Theatre, Movies and more.

This means a lot when some one like Q steps up to the plate making it known we need leadership and protection for the arts as meany other countrys have. Just think in the begining there was the breath then the word which was a sound and vibration. Then came a tone and rhythm There is nothing in this world which is not the instrument of God. We must protect what is sacred and universal, that we all love music and entertainment look around many of use make our living in this field or enjoy it!

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About Al Giordano

Biography

Publisher, Narco News.

Reporting on the United States at The Field.

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