NNTV: Al Gore's Mexican Adventure

By Al Giordano

The 2012 presidential campaign is already underway... in Mexico.

And, as in previous Mexican elections, US interests are all over it like a cheap suit.

Mexico will vote two Julys from now for a chief of state that will serve a six-year term. Two of the last four presidential elections south of the border were determined by blatant and well-documented acts of election fraud: both times to prevent center-left candidates from assuming power. US president George Bush Sr. endorsed the 1988 imposition of Carlos Salinas de Gortari and George W. Bush, Jr. supported the 2006 installation of Felipe Calderón. But lest anybody think that only Republicans in Washington meddle in Mexican politics, think again.

Last week’s Narco News story by Fernando León and Erin Rosa, Al Gore Stirs Controversy, this time in Mexico, and the follow up piece by Rosa, Al Gore’s 7 Simple Rules for Blocking Media Access offer eyewitness reporting of the former US vice president’s August 4 visit to Mexico. Now comes Sebastian Kolendo, of Narco News TV (you’ll be seeing and hearing more from the nascent NNTV project very soon) with a video report underscoring the key points of the story. In just two minutes, Kolendo – who reported the story with León and Rosa – offers viewers a crash course of the surrealistic relationship between US and Mexican politicians, and introduces the guy that key gringo economic and political powers have already designated as Mexico’s next president, the violent repressor Enrique Peña Nieto, governor of Mexico state, the most populous in the country.

For Gore, as reported, his appearance at Peña Nieto’s conference on “climate change” was lucrative, according to one source, to the tune of five million pesos ($380,000 US dollars), paid by an undisclosed donor or donors (it is not known whether these financial backers in the shadows were Mexican or North American).

What Peña Nieto gets for his (or someone else’s) money is the public perception in Mexico that he’s the chosen one to quarterback the country’s never-ending game with Washington. Gore was only the first player to be rolled out onto the field in this media strategy. On Wednesday, Peña Nieto was in DC, invited by the elite Woodrow Wilson International Center to give a speech on “Mexico in Globalization” and was also received by US Homeland Security Secretary Janet Napolitano, who posed for this photo op with the butcher of Atenco:

Notimex, the state-owned news agency in Mexico, quickly served up a fawning report of Peña Nieto as the gringos’ golden boy for 2012. As to why major Democratic party leaders like Gore and Napolitano have leant themselves as steps Peña Nieto’s ladder, they haven't said. But the game on the Mexican governor’s side is clear as day. It’s the resurrection of the time-dishonored Mexican practice known as “el dedazo.”

For six decades – from 1935 to 1994 – the winner was determined by a tradition called the finger-pointing (“el dedazo”), in which the incumbent Mexican president from the Institutional Revolutionary Party (the PRI, in its Spanish initials) would hand-pick his successor. That happened ten times in a row until in 2000, when Vicente Fox of the National Action Party (the PAN) won the Mexican presidency away from 69 years of single party rule with big promises of change that never came.

Since there is no incumbent president from the PRI party at present, Peña Nieto’s political gamble is simply to eliminate the middleman and create a series of media spectacles that give the impression that he has received the dedazo directly from Washington. His slogan could be “why go to la Malinche when I can go directly to Cortéz?” And as recent events demonstrate, key sectors of the Democratic party in the US are so far cooperating with the gambit.

The truth is that Washington has always meddled in Mexican presidential elections. Beyond the US-endorsed election frauds of 1988 and 2006, there are other recent examples. In 1994, when leading PRI candidate Luis Donaldo Colosio was assassinated in Tijuana, then-US ambassador James Jones was at a breakfast with leading Mexican intellectuals including the author Carlos Fuentes. The attendees all gathered around Jones to ask him for Washington’s reaction to the vacuum created by the death of the frontrunner. Jones – of the Clinton administration – said, according to published reports, “Salinas de Gortari now has three options for his successor: Zedillo, Zedillo or Zedillo.” Ernesto Zedillo, in turn, became the next head of state.

In 2000, when PRI warhorse Manuel Bartlett was gathering steam for his own presidential campaign, offering a return to the populist roots of the PRI, which in the 1920s and ‘30s began but quickly strayed from its roots as a project in socialism, then-US ambassador Jeffrey Davidow, also of the Clinton administration, without offering any evidence at all, simply said to a Mexican magazine that the US Drug Enforcement Administration (DEA) had “files” on Bartlett, and with that one statement exercised the veto power that no one speaks of but everybody knows the US government has over who gets to be president in the neighboring country.

Foreign policy deciders in the Obama administration should think again whether Peña Nieto - the man who in 2006 in the town of Atenco brought back the violent tactics of the dirty wars of the sixties and seventies against Mexican social movements – is really what the twenty-first century needs in the nation next door. A new wave of government repression would only serve to motivate millions more to cross the border in order to escape the return of brutal authoritarianism in Mexico. The fact is that only an improvement in the Mexican economy and how its vast wealth is distributed for the tens of millions of the poor, the unemployed, and the marginally employed workers and farmers of the land can stem the northbound migration that has proved such a policy headache and political hot potato for US officials.

Peña Nieto – economically backed and allied with a particular gang of oligarchs, robber barons and reported narco-traffickers from Mexico state, some of whom deny being part of a secret society within the PRI called the Atlacomulco Group – would surely be just yet another Mexican president dedicated first and foremost to redistributing wealth from the many into the hands of his few cronies. For Mexico, that would be another chapter in the same long tragedy, and it would have severe consequences north of the border, as well; economically and, subsequently, politically.

It is not yet clear exactly who in the Democratic Party side of Washington and Wall Street is moving the strings for Peña Nieto (one naturally shoots a fleeting glance at the Clintons), but it is easy to see that somebody north of the border is busy in cahoots with the aspirations of this dictator-in-training. We're gearing up our investigative reporting on that and related stories, and welcome Narco News TV as the newest weapon in our arsenal of authentic journalism.

“Shut Off the Raging Dialogue of the Story of the Week”

By Al Giordano

Al Giordano & Noha Atef - Citizen Journalism and Digital Resistance (FSI 2010)

Late last month, Egyptian authentic journalist Noha Atef and I led a workshop at Tufts University’s Fletcher Summer Institute for the Advanced Study of Nonviolent Conflict near Boston for seventy community organizers and civil resistance leaders from 41 countries. This video shows the first hour of that ninety-minute session. We were invited by our friends at the International Center on Nonviolent Conflict to host the plenary session.

Careful readers of The Field will have heard some – but not all – of the points we made on journalism as civil resistance. We talked from our own experience at the School of Authentic Journalism and as journalists and communicators. It probably wasn’t a “normal” session for such an esteemed academic institution: I did part of my talk in darkness after shutting off the lights in the hall, and later led participants outdoors through what I called a “discipline building exercise” into the preferable set and setting of a perfect New England summer day, where everyone who had something to say had a chance to say it. My intervention was essentially designed to kill the Power Point method of education-as-spectator-sport and unleash more of the innate imagination in each individual so that we could think and speak creatively together.

Noha Atef is, simply, a force of nature. Even if you only have time to watch her part of the presentation, do that: You really want to meet the 25-year-old soft-spoken warrior who through persistent journalism, a lot of guts, and a significant sense of humor, tore down the curtain on torture by Egyptian police and hear about how she did it. The presentation she gave at Tufts was an encore of one she gave last February in Mérida, Yucatán at the Narco News J-School, but we didn't videotape that one at her request. In Boston - in what was her US premier - she was ready to bring her story to a global audience.

You’ll also get a taste, from this hour, of what the School of Authentic Journalism is like and of how we do things, in case you’re thinking of applying to the 2011 session or know someone who should.

At the six-day session we met organizers who are from or work in Argentina, Armenia, Bangladesh, Bhutan, Bosnia and Herzegovina, Belgium, Bulgaria, Burma, Camaroon, Canada, China, Colombia, Egypt, England, Ethiopia, Georgia, Germany, Guinea, India, Kenya, Mexico, Morroco, Nepal, Nicaragua, Nigeria, Pakistan, Palestine, the Philippines, Poland, Russia, South Africa, South Korea, Sweden, Thailand, Turkey, the US, Vietnam, the West Bank, West Papua-Indonesia, Yemen and Zimbabwe.

We broke bread and conversed late into the nights with each other, and also with veteran social fighters like Mary Elizabeth King and Jim Lawson. We found some excellent recruits for the School of Authentic Journalism from the continents of the earth and made some new friendships, which are sure to last.

The point of it all was that nonviolent struggle is not a question about whether one considers oneself a pacifist or not (I certainly don’t, and regardless, the group was a serious enough collection of free thinkers and doers that we didn’t waste our time having that stupid “debate” that some “activists” like to have on a perpetual hamster wheel in which nothing ever gets resolved except to displace the real work of organizing) but that nonviolent resistance is really about how we, as aspiring change agents, learn to plan and act strategically.

I wouldn’t quite call it a “science,” although it does resemble certain laws of physics. It is more of an art, even a martial art, in which every circumstance in every struggle is unique but also shares common dynamics with all struggles. And so it is very helpful to listen to the experiences of others in lands we’ve never visited. We see our own struggles in theirs, and solutions for how to win ours in the strategies and tactics developed locally by each one.

And, of course, the matter of media is now central to all struggles. Our workshop began with a premise:

“A movement that makes its own media has considerable advantages and better chances of success than those that must depend on commercial media to tell their story and define their narrative.”

And that’s the story Noha and I tell in this video. If you spend the hour to watch it and don’t find it worthwhile, I’ll personally give you your money back... Oh. Wait. It’s free!

Mexico 2010: Enter the Detonators

By Al Giordano

In recent weeks, Mexican television viewers have been deluged with an advertisement in power rotation on all networks, including cable channels, from an apparently wealthy consortium called “Iniciativa México,” or, the Mexico Initiative.

The ad features head coach Javier Aguirre of Mexico’s national soccer team (the original ad appears here) strutting around the Mexico City monument known as the Angel of Independence, wearing a suit jacket and unbuttoned white shirt, noting that 2010 marks the bicentennial of Mexican independence and the centennial of the revolution of 1910. And, he encourages the people of the nation not to fall into “the old complexes” this time and to be positive and sunshiney in this historic year.

You can't make this stuff up!

The reaction on the street, in the markets and other public places, was overwhelmingly negative. “Who is this futbol coach to tell us what to do?” was the typical reaction this reporter received everywhere he asked. Interestingly, everybody had seen the ad, and hated it.

Aguirre had already caused a national scandal last February when he told a Spaniard sports network that “Mexico es jodido” (“Mexico is fucked”) and that he keeps his family in Madrid so they can be safe. And after the Mexican team was disqualified from the World Cup finals last week, Aguirre quit in a public tantrum and said he wanted to move to England or Spain. Thus, his ad, which begins, “I’m Javier Aguirre and I love Mexico” has become a national joke of sorts, in the category of gallows humor. The gross ratings points that the Iniciativa México spent on airing this ad has had the opposite effect of its intent to calm down the public and strip them of any ideas of a centennial revolt in 2010. To the contrary, it got a lot of regular folks thinking about the possibilities. More than a few passersby I interviewed practically tried to recruit this international reporter for a revolution!

According to the Iniciative’s website, the consortium's board of advisors includes the owners of the two national television networks, Televisa and TV Azteca, also Channels 11 and 22, plus the owners of UNIRADIO, Radio Formula, Braca Communications, and the daily newspapers El Financiero, Novedades, Milenio, El Universal, El Siglo de Torreón, El Economista, in other words, the media oligarchs of the nation.

And the consortium’s technical advisory board includes, in addition to the media owners, the rectors of the National Autonomous University (UNAM), the Insituto Politechnico Nacional (IPN), the Tech de Monterrey (gotta keep those rambunctious students in line!), and the CEO of the cinema chain Cinépolis, among others.

It doesn’t take a degree in marketing to understand what the magnates are up to: their ad campaign reveals their intense fear that the historic memory of the Mexican people could turn on the aspiring owners of the country as they it in 1810 and 1910. The electoral fraud by which President Felipe Calderón came to power is still an open wound, unresolved, festering. And the wave of repression against pro-democracy social movements that escalated in Atenco and Oaxaca in 2006 continues raging into the present.

A sign that the State is at least somewhat worried about the potential detonation of 2010 came on Thursday when the Supreme Court of the Nation ordered the release of Ignacio “Nacho” del Valle and eleven other political prisoners from Atenco, the town that rose up and defeated the national airport planned for their farmlands in 2002.

Javier Aguirre, in the Iniciativa México TV ad.

Into this churning national cauldron today entered a group that calls itself “Los Detonadores” (“The Detonators”) with a video parody of the Initiative’s TV ad, that in a few short hours has already gone viral on the Internet.

Field Smith, in the response from Los Detonadores.

The actor the group hired looks familiar, and is quite good at the role (think of a Mexican version of Stephen Colbert). He plays a US businessman with a heavy gringo accent who claims to be “the owner of Mexico” and Aguirre’s “compadre,” urging the Mexican people to calm down and stop rebelling every hundred years, and thanking them for sitting in front of the TV during this bicentennial year, for sending their sons and daughters to work as his “illegal slaves” in the North, for putting up with the war on drugs, and for buying all their products from him and for selling their "beaches, mountains and rivers" to his companies. And that is pretty much what has happened since the North American Free Trade Agreement (NAFTA) took effect in 1994.

Here is the ad, which hit the Internet at 10 a.m. this morning, Mexico City time:

Here is a translation of the ad’s text, which borrows liberally from Aguirre’s narrative while turning his phrases against the intentions of the Mexico Initiative’s ad campaign:

I’m Field Smith and I love Mexico. In fact, I’m the owner of Mexico!

I don’t know if I always understand it, but I know that I always love it.

And I know that for some reason every hundred years the Mexican people go out from their homes to try to make things impossible for businessmen like me. And what’s worse is that if they rebel, they can achieve it.

In 1810 it seemed impossible that Mexico could be an independent country. And it has cost us a lot of money in troops and loans to your government to insure that it still is not.

In 1910 it seemed impossible that Mexico could be democratic. And thanks to the huge electoral frauds it still is not.

It’s 2010, and the clock of history is ringing anew.

And it seems impossible that this could be a great country, secure, prosperous and just, that the Mexican people want.

The time has come to ask you if you want to keep being a country for sale for failure, or if you are capable of ending this capitalist control over your country.

Mexicans, calm down!

The time has come to change the country doing no more than sitting and obeying orders, and believing exactly what they tell us on TV.

Because as my compadre Javier Aguirre said, “Mexico is fucked,” and it’s clear that neither the national soccer team nor the people can do anything because Mexico… is what it is.

It’s the hour to forget about the Mexico that fought for its indepdendence, to leave behind the Mexico that seeks to develop itself. And to keep being a Mexico in which all of you buy my products.

It’s time to change history, passing from the Mexico of “Yes, we can,” to the Mexico of “we’re already screwed.”

But it won’t be easy if the people remember that a country can transform itself during just one night of mass awaking.

The seed that Mexico yearns for is already transgenic.

For it to flower depends on its consumption by all of you.

Believe me that the most important things have already been done.

Keep being a country subjugated and unaware of its own history.

Welcome to the Fucked Mexico of 2010.

Thank you, Mexicans, for sending your sons and daughters to the United States to be my “illegal” slaves.

Thank you, Mexicans, for handing over your rivers, your beaches and mountains, to my companies.

Thank you, Mexicans, for lending yourselves to the war on drugs and allowing me to buy your politicians with the profits.

Thank you, Mexicans, for sitting in front of the TV during this bicentennial year!

Mexico is already our place. 2010 is our year. Now is the hour to sell your homeland to the highest bidder.

The ad then offers a link to a website – www.losdetonadores.com - which has only one paragraph of text and an email address. It says:

"The Detonators seek choreographers, dancers, designers, video makers, audio techs, musicians, artists, muralists, pamphleteers, writers, poets, performance artists, singers, dramaturges, game players, thinkers, actors, detonators and talents of all means of expression to collaborate in the most fun and urgent game: to reconquer all the terrains of daily life..."

The video has no credits for the screenplay, the video, the audio, the editing, the costume, the make-up, the post-production, the actor, or the website. They sent us the video anonymously, with permission to publish it, free of charge. It carries none of the whiff of bureaucracy, careerism or droll self-sacrifice or tired sloganeering that burden, sadly, too many “art projects” and “activist groups” alike.

I guess by “detonators” they mean that they don’t follow, and they don’t lead, they simply exist to detonate that "single night of mass awakening" that, throughout history, has made great leaps forward.

And, gee, it all looks and sounds so very fun. I think I will write to these “detonators” right now and ask them to please keep us posted on their next detonations. I could be wrong, but this looks like a project with a lot more up its sleeve and still to come.

Summit Protests Are Obsolete

By Al Giordano

More at The Real News

Authentic journalist Jesse Freeston, who you heard from on these pages last month, handled himself about as well as anyone could last weekend when police in Toronto punched him in the face and stole his camera microphone while he was covering protests at the G-20 summit. You can see it in the video, above. Calm, coherent and consistent: that’s how an authentic journalist, or any effective organizer or change-maker, rolls. And his boss, Paul Jay of The Real News, did some pretty good “press conference theater” in response to the incident, too.

I can understand why Jesse, a Canadian, went to report those events. They happened in his town. I can understand why a lot of folks went there, sincerely wanting to stand up and be counted against savage global capitalism and its consequences. The problem is, almost nobody who didn’t participate, especially those who only heard of the protests through the media, has any idea what the protests were about, or why the protesters were there.

The G-20 or “Group of 20” is made up of 20 of the governments with the 32 biggest economies. It includes the center-left governments of Argentina and Brazil, and also includes China. Here is a list of the participating nations. The G-20 group has no power to make laws, no real institutional power at all. Its resolutions are non-binding even among the signatory countries. Are the protests trying to say that countries should not meet with each other? Nobody quite says that, either.

I would posit that protests at events like this happen on autopilot, robotically, by many who are trying to relive the glory days of the 1999 Seattle protest against the World Trade Organization (where the stated goal was to keep the WTO meeting from happening, and in fact succeeded at causing its premature adjournment). There, hundreds of thousands of people, including significant participation from major labor unions like the Teamsters, converged around a clear demand and an attainable goal: The WTO shouldn’t meet, as it has binding power over policies in its member nations and that power is abused to benefit the haves against the have-nots.

Seattle 1999 was when the post-Cold War international left discovered it had a new move, like a boxer with a fast left hook. It knocked out its opponent, the WTO, and gave rise to a generation of new left celebrities and media makers, including Indymedia. Some have launched book-selling careers out of it. Good for them, but is that itself a goal of protests? Creating product and product makers? The rest of its legacy was mainly to create a trail of copy-cat actions with ever-diminishing results.

In April 2000, a repeat of the tactic was attempted in Washington DC to protest meetings of the World Bank and the International Monetary Fund. Only about 10,000 showed up and about 1,300 of those were arrested. In November 2000 the same agencies met in Prague, met by thousands of protesters, 400 of them arrested, who did actually cause the summit meeting to fold its tent early. In January 2001, many of the same protesters headed to Davos, Switzerland, to protest the World Economic Forum (like the G-20, a meeting without statutory authority over anyone anywhere). Their goal, if there was one, wasn’t clear and they had no tangible impact on the conference of world business and government leaders. None, whatsoever.

This dance – think of the consequences for a boxer who keeps using the same left hook with every punch, but eventually his opponents figure it out and know exactly how to beat him – continued through Quebec City’s Summit of the Americas and the European Union’s Gothenberg, Sweden meeting in 2001, to the World Trade Organization summit in Cancun in 2003, so on and so forth, rinse, repeat, rinse, repeat.

In general, the size of these summit protests grow smaller and smaller, the tactics do not significantly change, the level of planning and training by participants doesn’t rise to that which went into Seattle 1999… and it shows, again and again, in the paltry results.

So what is left of these summit protests? The majority of participants always march peacefully, but many get arrested and beat up by cops who use the presence of a smaller gruposcule – often referred to as the “Black Bloc” or those “using Black Bloc tactics” – as their pretext to arrest and use preemptive state violence against all. The size of the “Black Bloc” contingent, of those who typically go on a spree of breaking windows of corporate chain stores and banks, hasn’t grown, but as the size of all other sectors steadily decreased, they take on a bigger slice of the pie of what little media attention is still paid to these yawningly predictable events.

And then there is another sector I’ll call the “summit hoppers.” These are protesters with enough expendable cash (or are trust fund or parent supported) to jet hop from summit city to summit city to join each protest. Some of them even do creative, laudible things – marching bands or daredevil banner hangers – but their creativity gets typically lost in the teargas smoke and sensational media coverage of the accompanying riot porn.

And just as typically, as in Cancun 2003, local movements and organizers are left holding the bag, no better organized than before. They basically get played by the out-of-towners who use their cities as a weekend stage for their own attention-seeking. It reminds me of Kurt Tucholsky’s 1920 poem about Berlin theater director Max Reinhardt’s play, Danton:

Act Three was great in Reinhardt’s play—

Six-hundred extras milling

Listen to what the critics say!

All Berlin finds it thrilling.

But in the whole affair I see

A parable, if you ask me

“Revolution!” the People howls and cries

“Freedom, that’s what we’re needing!”

We’ve needed it for centuries—

our arteries are bleeding.

The stage is shaking. The audience rock.

The whole thing is over by nine o’clock.

So what is left from these summit-hopping protests, beyond the tons of garbage and reaction that local movements have to pick up afterwards? Some brief media stories about violence – by police or by protesters, whether against people or merely against property, you can’t ever count on the mass media to distinguish between the two, and you ought to know better in advance that that will be the case – is about all that is left over when the show has packed up and gone. Nobody outside the event's own protagonists knows what the protest was about, or why it was done.

And then you get the occasional well-done news story, like that, above, by Jesse Freeston, about police violence against reporters or peaceful civilians. Ideally, that at least says “police bad, protesters good” (as if that is enough a reason to hold a protest at all, since that message only resonates with those that already have that predisposition), but it doesn’t really say anything new or inspiring. It doesn't change the game or any social dynamic at all.

Yet it turns out the police aren’t the only ones attending these affairs who are attacking members of the independent media:

The ones dressed in black and masks are those that either refer to themselves or are tagged by others as “Black Bloc,” and you can see at 1:23 minutes into the video that they’re going after the independent media, too. Their chant of “Who’s streets? Our streets!” thus becomes a mirror image of what the State is saying through its police forces: We own these streets and nobody else does! These events predictably become spats of bullying and thuggery on both sides of the barricades: and that makes the police happy, so happy, they in fact fertilize it with their own infiltrators and agents provocateur to make sure it happens.

At two minutes into the video, you can see how the “Black Bloc” contingent falls hook, line and sinker for the bait left to them by police agencies, who conveniently left unprotected police cars exactly along the route of their protest. Mouth meet hook: The protesters – the ones in these images are, predictably, predominantly male and young – attack and eventually set fire to the police cars. And this becomes both a defining image for the entire protest action and an easy talking point for the State to paint everyone as part of an undesirable and scary (to the general public) horde.

Does anybody really think that police agencies would have left unguarded vehicles in that path if not to get that desired image onto the evening news? And the “Black Bloc” dupes fell for it! Who, among the working class and poor, would follow these white upper class fools anywhere? What separates them from any rank-and-file pyromaniac? That they attach a cause to their attempted rampage? Well, what is that cause? “Whose streets? Our streets”? Clearly they mean theirs and not “ours” in the sense that the streets belong to all the people. Otherwise they wouldn’t be pushing and threatening the people’s own cameras away. If those guys ever did gain power, they would be as violent and bullying as those that have it now. And that is evident to most members of the public who refrain from joining in such protests even when we agree with the overall causes expressed.

It is already well established that Canadian authorities (and those of other nations) implant undercover agents – dressing them in “Black Bloc” and other stereotypical protest uniforms - to whip up the other protesters into committing acts of vandalism and sometimes even violence to rob the protests of moral authority and allow the cops a free pass on their own violence.

The “Black Bloc” practitioners have become the moral equivalent of cops, and just as ugly and bullying. And, as is proved, some of them are actually cops! And there is no way to tell them apart.

After their vandalism sprees, the Black Blockers then shed their black masks and clothes and hide among the rest of the peaceful protesters. That also reveals them to be cowards. They only deploy these tactics when they can hide under the skirt of a larger group of people. If they earnestly believe that smashing windows and tussling with police is such a revolutionary act, why don’t they ever do it on their own? Worse, they are wrecking the very good name of anarchism and anarchists by behaving in these decidedly anti-anarchist ways! Authentic anarchists are among the most alarmed by the negative impact of their parasitical actions on events that are organized by people who are not them, because it defines "anarchism" as "violent" (and also as "stupid") when anarchism (which embraces, also, anarcho-syndicalists and also anarcho-pacifists who see the State as a form of violence) is about self-management, not about hitching one's wagon to a star that someone else organized.

Throughout history there have been guerrilla insurgencies or groups that used what they called "revolutionary violence" to forward their goals, and whether one agrees or not with their tactics, one can admire that they did have courage. But the Weather Underground or the Latin American guerrilla organizations or other such projects never inflicted their actions on the larger protests of broader coalitions. Not once! The "Black Bloc" types clearly don't have that same level of bravery, planning, training or intelligence. That's what makes them cowards while other armed insurgencies were not.

In the end, the repetitive nature of this story about summit actions makes the majority of protesters, who are peaceful, and the organizations that got them there, dupes as much as the comparatively few assholes with window-breaking fetishes. It is now totally predictable and known in advance that those types will show up and do the same things they always do. And yet the larger coalition does nothing to denounce or separate itself from the premeditated macho tantrums of the few. The summit hopping actions have disregarded all the tools – such as nonviolence training sessions – that have distinguished other more successful movements throughout history from the recent series of failed summit actions, to which Toronto June 2010 becomes just another statistic.

We don’t send reporters to cover summit protests anymore. We already know what will happen in advance, and so does everyone else. At Narco News, we still report, time and time again, on meaningful protests and movements and community organizers and others that actually get stuff done and win battles. But we’ve had it with the summit protest genre. Stick a fork in it. It's done. We now practice non-cooperation with it. We have withdrawn our participation in their boring mirror of the spectacle, at least until some folks somewhere organize one that plans in advance to train and promote a shared action plan and discipline that is designed to have a better impact on human events and history than this sorry trail of repetition.

And to think: At least twice in recent months, in the same city of Toronto, there were two creative actions – neither of them “protests,” per se – that were designed, and succeeded, to win over hearts and minds and public support. They involved planning, discipline and a lot more fun than the tired summit protests offer, and they show us a possible path toward a new kind of protest that, rather than provoking automatic police repression, sneaks up on society with stealth and then disappears quickly avoiding any physical confrontation at all.

On April 29, 2010, students of Canada’s National Ballet Schools held a “flash mob” action at the Eaton Centre Mall in Toronto. Watch it while imagining had the G-20 protesters organized something similar and how different and better the impact would have been:

But they’re professionals, you say? Well, sure, they’ve taken some dance classes anyway. But here’s another flash mob dance action from 2009 from the same shopping mall, this one by amateurs, many of them kids, whose cause was to remember a young woman who died of cancer:

How much training did those dancing novices have? Only six hours! So don’t tell me that we ordinary people can’t do extraordinary actions with a little bit of planning and discipline! The flash mob phenomenon has already proved the case otherwise.

Add a coherent political message, banners, leaflets, a dance tune that resonates with the message, and such to a dancing musical flash mob like these and you have the seeds of a new, more effective, kind of protest than the tired old marching around in circles of the last century that has ceased to win any cause for anyone. If you want media coverage for it, video it and send it out, or plant a few sympathetic collaborators from inside the commercial media to have their cameras there for the scoop.

Organize something like that, and we will come, report, film, and make it known to the world in multiple languages. But “no thanks” if you want us to cover another tired summit-hopping action using the same stale left hook that the enemy already knows how to easily knock out.

One last thing: If you want to defend the actions of the “Black Bloc” or the effectiveness of the Summit Actions that tolerate them, here is the price of admission to the comments section here, and it should be real easy for anyone to do: Write one sentence – that is all, just one – that tells us what the message of the Toronto G-20 protest was. If it doesn’t fit into one sentence, it is not a message worthy of a protest. Then tell us how that protest accomplished advancing the cause of that message.

Maybe it is clear to one or more of you out there. But to the rest of the people of the world, whatever the Toronto summit protest message was, it didn’t reach us, or make anyone else care about it. And that is precisely the definition of a failed action that accomplished nothing but occupying the hours, resources, and budgets of all those who traveled to them in lieu of organizing something real at home.

Update: Somehow I missed this when it came out last year, but authentic journalist Jill Freidberg (documentary filmmaking group director at the Narco News J-School and co-director of the documentary, This Is What Democracy Looks Like, about the 1999 Seattle protests) produced a multipart radio series on the tenth anniversary of the December 1999 Seattle actions that shows where so many of the participants then went: into community organizing...

Part I: Seattle, Ten Years Later

Part II: Race and Mass Demonstrations

Part III: Teamsters and Turtles: Where Did They Go?

Part IV: Indymedia, Ten Years After

Part V: From the WTO to the World Social Forum

So it is fair to say that a positive legacy of Seattle 1999 is how many of its participants then moved into organizing and new, more diverse, strategies and tactics; not everyone kept clicking "replay"!

Where Are the Maya? The Making of the Documentary

By Al Giordano

As Jill Freidberg, dean of the documentary filmmaking department at the 2010 Narco News School of Authentic Journalism mentions below, there was some understandable skepticism before February’s boot camp, er, session started that a group of people from different lands and languages, most of whom had not worked together before, could produce a meaningful documentary film in just ten or eleven days.

I just smiled, with the knowledge that we’d already done it before, in Bolivia back in 2004, when the j-school documentary team planned, shot and produced Chew on This: For Us, Coca Is Life, in just ten days. It is a work that, six years later, not only withstands the test of time, but also added its grain of sand to push big changes in Bolivia. (Evo Morales, for example, went from union leader, member of Congress and then-professor of the School of Authentic Journalism – where he was also a volunteer advisor to our film - to becoming president of his country 18 months later, and reversed the government policies that oppressed the subjects of that film.)

That 2004 ten-day documentary was a little over ten minutes long, and we put it on the Internet before YouTube existed. Then Narco News webmaster Dan Feder created an entire online platform for it, from raw Internet code. It filled me with enough faith in our students and professors, and enough pride in the horizontal work model of the j-school, to never doubt for a moment that the 2010 documentary filmmaking group would be able to meet and exceed the standards set by that pioneering video.

At 15:34 seconds, Where Are the Maya? will, in the same spirit, put a struggle ignored by the national and international media on a somewhat bigger stage (and DVD copies of it will also be delivered, as before, to the local people and organizations whose voices, faces, words and homes are seen in it, so that they may use it as an organizing tool in their struggles).

It was a gargantuan task, and it meets every standard that I consider to mark excellence. I asked team leader and cutting-edge documentary filmmaker Jill Irene Freidberg to pen a few words about the process by which the film you see, above, was made. Jill writes:

"When Al asked me to join the 2010 School of Authentic Journalism to ‘lead’ the documentary team as a ‘professor,’ I balked. Knowing how to make a documentary is one thing; teaching others how to make a documentary is something else altogether. But Greg Berger assured me that there would be a lot of overlap, at this j-school, between ‘professor’ and ‘student.’

“He was right. And that’s why we were able to make a movie.

“There were ‘students,’ like Edwin Reed-Sanchez, Marine Lormant Sebag, and Amanda Huerta Morán, who already had plenty of video production under their belts before j-school started; ‘students’ like Edwin Alvarez, who had never made a documentary, but who contributed a wealth of experience in leadership and community organizing; a ‘student” like Ter García who came to j-school with very little hands on video experience, but after years of daily newspaper reporting in Spain sure knew how to pull a story together. There were also ‘professors’ like Quetzal Belmont, Andrew Stelzer and Vanessa Ortíz who brought yet other skills and talents (from investigative reporting, interviewing, audio to extensive knowledge of community organizing dynamics) and hard work to the team.

“J-school took place in three different locations, across the Yucatan Peninsula, over the course of eleven short days. Making a documentary, in less than two weeks, in three locations, in two languages, is not an easy task. Early on, a consensus emerged that we wanted to focus our lens on the contrast between tourism and the reality of the people who live and work in the shadow of tourism. But with so little knowledge about the region, its history and context, narrowing the scope of our focus seemed like a daunting task. It was French journalist in Mexico Anne Vigna who, over beer and cigarettes, on the ‘smoking bus’ from Puerto Morelos to Merida, pointed us in the right direction with a wealth of contacts and suggestions, putting us in touch with the courageous people of Colonia Maracuyá and the folks at the Tzolk’in Center for Culture and Ecology."

Everyone should know that I - as the School's director - didn’t always make it easy for the documentary film group at the 2010 j-school. They wanted, needed and kept pushing and organizing for more time to work on it. I insisted that they could use the three or four hours a day of "free time," usually in the afternoons, and plus the hour or two of daylight at dawn, but that everybody still had to attend the four hours of morning plenary sessions and the nighttime plenaries and events as well (half the afternoons were devoted to work groups – a total of 24 hours in all out of an original 27 planned).

Members of the documentary filmmaking workshop at the 2010 School of Authentic Journalism, left to right: Andrew Stelzer, Quetzal Belmont, Marine Lormant, Edwin Reed-Sanchez, editing video through the night in team leader Jill Freidberg's hotel room-turned-work studio in Playa del Carmen. Photo DR 2010 Jill Freidberg.

As Jill mentions, they had some good local support, from the authentic journalists in the state's biggest newspaper, Por Esto!, its publisher Mario Menéndez Rodríguez, its state editor Renán Castro Madera, and its Playa del Carmen bureau chief Manuel Chuc. Our old friends who we filmed back in 2006 with the Other Journalism with Other Campaign from the Tzol'kin Center for Culture and Ecology and other organizations did yeoman's work introducing the documentary film team to the local people in struggle. Anne Vigna, Natalia Viana and other members of the 2010 School's investigative journalism group did everything the documentary group asked of them, too. When the documentary group needed a van to go filming in Cancún, Mercedes Osuna (who has a special message for Narco News readers today) took the wheel. This team goes down in the j-school annals as 11 on a scale of 10.

To have watched, nursing my first coffee, Quetzal Belmont, Marine Lormant and Ter García marching out of our Playa del Carmen campus at six a.m. one morning, having recruited Mercedes Osuna as their early morning driver, to film a construction site (“we’re architecture students,” the authentic journalists pleaded with the site foreman, “can we film you doing your work?” - they had him at "we"), tripods and cameras in hand, filled with pep and vigor, hope and pride in their work, and new lifelong friendships, was a memorable first-of-the-day moment that I don’t think I’ll ever forget. Nor their beaming smiles when they returned at 9 a.m. with the footage they had gone hunting to get, and the stories of how they got it.

The documentary film group didn’t stop when the School “ended” on February 13, either. Jill, Ter, Marine, Edwin Reed-Sanchez and Quetzal, along with Narco News' Spanish language editor Fernando León Romero, turned my apartment, “somewhere in América,” into a video editing studio for two weeks after the school, and I did my best to stay out of their way and just keep them in food and, a good number of them, in cigarettes. One night I came home to find the walls of my house covered with notes on pieces of paper, images, and notes atop those notes, like a Criminal Minds TV show war room. They also took over my House M.D. white board for the script timeline. Ter returned to the Yucatán peninsula to get more source materials as did Quetzal to film a few more shots of B-roll. After that, collaborating with each other long distance, they handed the draft edit, script and materials off to Jill - la maestra - to put on the finishing touches, and each and every one of them, I’m certain, knows that this documentary film happened through their creativity and labor, and is theirs as well as it belongs to the good people they interviewed in it.

I couldn’t be happier with the result. Really. You could knock me over with a feather. May the question this documentary poses go “viral” (and auténticos, you know what to do, embed this in your social media feisbuk pages, tweets, blogs and email lists):

Where Are the Maya? Where are they in the tourist Meccas of Cancún and Playa del Carmen that, day in, day out, exploit the name and the descendants of that beautiful historic peninsula whose indigenous peoples, monuments and cultures have awed the world time and time again, to be left in the dirt, to fend for themselves against greedy men, companies and governments of brutal, violent Power.

This is a documentary about a situation that cries out for justice and correction, a documentary that emboldens and comforts the inflicted to organize for it, and that inflicts the comfortable who stand in the way of that justice being made. And as another blessed consequence, I'm sure you’ll be hearing more from the members of the documentary filmmaking group of the 2010 J-School, almost all of whom will be invited back, if we’re able to do the School again in 2011, as “professors,” as Jill (excellent job, and a salute, comandanta) likes to put in quotes.

The Real Crisis of Our Times is What Crisis Does to Us

By Al Giordano

A wonderful essay is circulating by Alain de Botton in City magazine (I came across it via Andrew Sullivan), titled, On Distraction. In just 333 words, de Botton captures one of the central problems of this present moment in history:

“One of the more embarrassing and self-indulgent challenges of our time is the task of relearning how to concentrate. The past decade has seen an unparalleled assault on our capacity to fix our minds steadily on anything. To sit still and think, without succumbing to an anxious reach for a machine, has become almost impossible.

“The obsession with current events is relentless. We are made to feel that at any point, somewhere on the globe, something may occur to sweep away old certainties—something that, if we failed to learn about it instantaneously, could leave us wholly unable to comprehend ourselves or our fellows.”

De Botton – who has an interesting project in London called The School of Life - recommends “diets” or “fasts” of the mind, which may or may not work to alleviate such alienation depending on the individual, but do not address the larger societal problems described. Plus, the counsel sounds a little bit too much like a “self help book” prescription (and the constant overdose of media stimulation has different effects on different minds: not all suffer from bloated obesity) when his analysis can also serve as a trampoline with which we can also jump toward some additional inquiries and ideas.

Fourteen years ago I wrote a kind of manual and manifesto about arming ourselves to fight the “24-hours-a-day war between Media and Self,” and in recent months I’ve picked back up the unfinished project of that work, The Medium Is the Middleman: For a Revolution Against Media, dusted it off, and with other collaborators have set parts of it into praxis again in the realm of daily life (which especially includes what happens away from the Internet and other screens). Back then, a lot of the conclusions and ideas put forward in that document were a lot less popular and a lot less easily understood than they are now, at this present moment that de Botton describes so well. Today, there is an emerging and wide societal consensus on many of them. History has been kind to that once inconvenient analysis of “media” as the central problem of our era.

What I have often smacked down from this corner as “the poutrage of the week” and the panicked Chicken Little behavior of those who follow the commercial media’s constant feedbag of crisis and attention-seeking, is really, all of it, a consequence of the harms that de Botton describes. Like domesticated oxen, the population is yanked from media stoked crisis to crisis, all of which carry a whiff of apocalypse: an oil gusher in the Gulf now comes with underwater 24-hour live stream cameras, all available online and to TV networks, as experts – real and invented – jump onto our screens to tell us their version of what is happening. “We are continuously challenged to discover new works of culture,” says de Botton, “and, in the process, we don’t allow any one of them to assume a weight in our minds.” A few weeks later comes Israel’s raid on an aid flotilla (the Middle East being, for many, a Pavlov signifier for “apocalypse” and thus an easy ruse for the media to get all sides drooling and barking according to an age-old script) and the cycle starts anew. And next week or the following week, when fatigue sets in on those obsessions, it will be something else altogether.

De Botton describes the debilitating effect of all this crisis-mongering on the media consumer. But we had also better study what it does to the media worker – not just journalists, per se, but communicators and artists of all kinds – who are now reduced to typing monkeys that have to go out and find those “instant experts” or cram to be able to at least play them on TV, or on a blog, or any other media. You’re expected to write or talk or shout about every crisis of the week, so you - I'm talking to you, fellow and sister media workers! - run to Wikipedia and the rest of the online library to pull up some factoids and buzzwords that fool the crowd into thinking the reporter or communicator really knows what he and she are writing or talking about. The formulaic nature of this kind of frenetic activity at work stations is killing so much of the creativity of the formerly “creative class”!

The bigger crisis of our time is, thus, Power's need to create constant crises, generated first and foremost by the commercial media, all competing for our dwindling hours of free time and attention span, and exacerbated by every kind of interest group, advertiser, opportunist, politician, "activist," aspiring tyrant or con artist who know that a person who perceives himself or his community or his world in crisis can be sold all kinds of products and ideologies to serve the salesman. When we “lose our heads” we are easy prey for the predators.

The more I live the more I keep concluding that we, as a society, as a public, need a kind of intervention or vaccine that inoculates us to panic and crises (or that at least arms us to deal with perceived crises with a methodology very different than that of running in circles, screaming and shouting, or the opportunist's impulse to make money or fame out of them). Some weapons available come with creating a better show outside of the crises that instead of fostering panic interrupt the spiral-of-doom with a smile, a joke, a song, a dance, a creation, those surprises that remind everyone – participant and spectator – that nobody is, or needs to be, alone in our “24 hours-a-day war between Media and Self.”

You can see in the recent letters from Jesse Freeston and Edwin Álvarez and Jillian Kestler-D’Amours – and you’ll be receiving more such letters from others soon – about their experience at the School of Authentic Journalism in February. That’s one tool that, thanks to your support, is changing lives and inoculating communicators to impede the process by which most become typing monkeys and crisis junkies. To revive a free press we need to first revive the existence of free pressmen and presswomen!

But I’m also thinking a lot these days that in addition to the vital work of preserving and expanding an authentically creative class, one communicator or authentic journalist at a time, that we need to be plotting such interventions on bigger and bigger levels: the in the terrains of the home, the neighborhood, the community, the city, the country, the region, the world: A reopening of the Situationist project of “creating situations” that awaken the most powerful human instinct there is: the will to live, not just to survive, but the will to pleasure. Because if there is anything defining about a crisis mentality it is that it is anti-pleasure: it cripples its adherents and since its technicians are the former members of the “creative class” it is crippling the creativity of society as it makes them extinct.

As a graffito from that project said, “We will have good masters as soon as everyone is their own.” To resist the siren call of panic and crisis we need to rise up an army of warriors skilled at fighting that 24-hours-a-day war against the commercial media-imposed crisis mentality.

So if I’m not always typing about whatever the rest of the media and its junkies shout is the crisis of the day, it’s not out of sloth or cowardice (usually in the cases when some asshole says “you’re censoring the story,” it is precisely when a thousand other typing monkeys are addressing that supposed crisis furiously anyway, so why bother adding to the noise?). The accusation of fear always comes, anyway, from those who have taken less physical and personal risk for their shouted beliefs in an entire lifetime than I've taken to report a great many single stories. It’s that there are other, more compelling, games afoot.

Some, like the ongoing work of the School of Authentic Journalism, we update you about all the time. Others are still being gestated to birth. It’s always hard to know, in advance, when an unfamiliar or new kind of fruit will be ripe. But when you’ve been to the banquet already, and you can detect the wafting scents from the kitchen sent out like clues and hints, you know that the chefs are busy, and you are going to enjoy the meals to come.

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